Archive for the 'People' Category

28
Oct
09

Josko Gravner: “at the base of every Wine, there should be the winemaker’s honesty”

It was a rainy summer’s day, many years ago. In the vineyards he grapes were just beginning to change color. Suddenly the hail arrived. I rushed outside. Dense sheets of hailstones, like tiny needles of ice were sweeping across the hillside. I stood and cursed the weather and the lot of the “cotandino”. Uncle Franc came up quietly behind me and said softly, “Josko, mother nature gives us everything we have. It’s only right that now and then she takes something back.” That day I understood. For me it was the beginning. -Josko Gravner

We recently had the opportunity to visit with the compelling figure of Josko Gravner. To capture in words the essence of this individual, farmer, winemaker, philosopher, artist whose honesty, passion, and commitment has inspired a movement is challenging. Josko’s colleague Filippo Polidori has done so with such eloquence that we prefer to to share it.

Once upon a time there was a child that dreamt of being a farmer. His superheroes were Father Jozef and his Uncle Franc….this could very easily be the beginning of this Man’s story…Josko Gravner.

Josko Gravner is one of the most emblematic and talked-about men in oenology. By many he is seen as a madman, a visionary, and by others as a genius, an artist. By the same token his wines are either loved or loathed.

It would be nice to be able to tell you about Gravner’s world, his philosophy, his approach to life/lives/wine but I would need a book to include everything, without mentioning the skill to write it which I definitely don’t have.

People who have never met Josko in person or who have never had the pleasure of hearing him speak might think that behind the Gravner phenomenon there is a complex marketing and communication strategy..but believe me, everything which has been said is true and I would even add that his real life is even more fascinating than that which myself and others try to portray. Surely, the only way to understand the more intimate and personal aspects of his life is through his Wine.

Josko was born with a great love for the Earth and this might seem banal for the son of farmers, “real” farmers, but this is not always the case. Progress has transformed, and in some cases substituted, farmers with agricultural entrepreneurs.

His father, Jozef, taught him to respect the Earth and to work honestly without ever compromising his beliefs and values. When, as a child, Josko would come back home from school he couldn’t wait to run to the vineyards to spy on his father, to try and understand every single movement of him. At the age of 14 his dream came true and he began working in the family business. It would take him 43 years of experience to reach his current way of making Wine. 43 years! And this is something many people forget. In Josko’s way of working there is no improvisation; time is his strength and the ability to know how to wait, to listen only and always to his instinct and his heart.

43 years of first-hand experience, not passed on from other generations.
43 years of great successes.
43 years of changes, every time he tried a new path, constantly putting himself to the test.

1966 he started working in the father’s wine cellar with large barrels.
1973 he did away with the large barrels and began working with steel.
1980 he did away with steel and began working with barriques/tubs.
1997 he did away with the barriques and went back to large barrels/tubs.
2000 after years of experimenting with amphorae he began working with them and large barrels.

Josko always put his heart into everything; even if the market praised his traditional wines, he would always admit his mistakes, and he would try and explain the limits of this kind of wine making which he abandoned despite his success.

But this is Josko: someone who does not follow trends and is not interested in the market…once again the story repeats itself, from Oslavia with only 35,000 bottles he paved the way for a new way of making wine which many are already following today….

Wine making in amphorae is a difficult path. In a test conducted with 10 people whom we asked to taste the wines, eight of them refused them, whilst two were enthralled by them and instantly adored them. Yet it is thanks to this small percentage of people that the Gravner myth has been able to change the traditional concept of white wine, once again without improvising.

In light of this a journalist wrote: “You will hear many things about Gravner wines. He changed style many times and many people did not understand this. Just like Pablo Picasso was not understood; he could paint like Raffaello and for certain periods of his life he did, but then he invented cubism and he painted Les demoiselles d’Avignon. Josko’s Ribolla….is a work of art in every sense of the word. This led to a new way of conceiving and making wine….”

Today we are used to selling or buying Wines or anything else through the support of an appropriate communication or marketing strategy…and this is necessary for everyone. However, Josko’s Wines cannot only be communicated because the most important thing is that they must be tasted. This is what I have been trying to do for years and in these very complex years what makes me happy is that in the midst of so many people there will always be two people who will allow us to continue making our Wines….Josko’s Wines.

25
Sep
09

Paolo Vodopivec: the votary of vitovska

In a mere decade, Paolo Vodopivec has earned an enviable international reputation for his distinct expressions of Vitovska, a variety produced by only a handful of producers in the rugged Carso. (The Carso is a plateau located in southeastern Friuli on the Istrian peninsula, just above the town of Trieste, marked by an inhospitable, and rocky terrain). For Vodopivec, Vitovska is the quintessential varietal expression of the region.

The Carso has always been a difficult and tough area, which can test people’s strengths. Harsh, unpleasant, difficult- in a word, true. Even people who do not know this unique terrain, can experience it through Vitovska- “the Carso in a bottle”. What nature has given to the vineyard, the grape gives to the wine. -Paolo Vodopivec

A blacksmith by trade, his great-grandfather had cultivated a few hectares of vineyards and produced a small amount of wine. While in his early twenties, Paolo assumed control of the estate and decided to pursue a dream of winemaking on a grander scale. Subsequently, he selected their best sites, representing 4.5 hectares and 40,000 vines, and replanted employing mass selection and albarello training. The first Vodopivec wine to travel outside the boundaries of the Carso was the 1998 Vitovska (1500 bottles produced). Produced using full berry fermentation and extended maceration and bottled unfiltered eighteen months later, it was tremendously well received and the 1999 vintage (900 bottles produced) marked by a spectacular amber color truly served only to expand the Vodopivec fan club.

Excited by the results, Paolo decided to remove all other grape varieties from the estate in order to focus on Vitovska. Three terraces were created in the new Vitovska vineyards, allowing for excellent ventilation. The terrain was altered by the introduction of large and small rocks, covered with 30 cm of soil from nearby Duino, a city on the coastal part of the region, which provided the rocks with the necessary protective layer. The vines are not manually watered, natural rainfall is the only water source, which is not much in this area; however, the rocky terrain provides natural remedy to droughts.

No pesticides or chemicals are used, instead bird houses of varying sizes have been constructed to surround the vines, depending on the location, allowing only a certain bird to nest in that particular location. The birds maintain the natural equilibrium, they know which insects and parasites should be there and which shouldn’t. Only ambient yeast is employed and the wines continue to be the product of whole berry fermentation without temperature control and extended maceration. Two variations of Vitovska are produced.

In Paolo’s words: Today just like yesterday, Vitovska Classica is created in the present in the same way it was born in the past. First the wine is left to macerate for a fortnight in the vats of Slavonian oak, then it is treated to slow refinement in large barrels. More than two years is needed for the true value of the wine to be revealed in all its uniqueness. Vitovska Amphora expresses itself without hurrying nature’s rhythms. The wine is kept in contact with its grape-skins in buried, terra cotta amphorae, without monitoring the temperatures, for six months. A two years’ rest in casks then brings the wine to maturation, giving it a chance to express the fullness of its taste.

Paolo Vodopivec’s true belief in the terroir and grape variety of his native land and determination to turn this belief into reality has resulted in exceptional wines that have caught the attention of the world.

I vividly remember the first time I tasted a Vodopivec wine. The vintage was 2001 and I nearly fell out of my chair. These phenomenal whites are among the most un-manipulated wines being made in Italy today. They will challenge readers’ perceptions about what white wines can and should be about. For those adventurous enough to give them a try, an immensely rewarding world of new experiences awaits. -Antonio Galloni, The Wine Advocate

This is natural winemaking at its most intense, as the grapes are kept in contact with the skins for six months in amphora pots buried underground. Afterward ,the wine is then aged in large casks for two years; the final result is magnificent. This is a richly textured white with an explosion of pear and melon fruit on the palate and a rich, lengthy finish with bracing acidity. It’s quite a statement and it’s a testament to the philosophy of Paolo Vodopivec and of course, the growing area of Carso. -Tom Hyland, Reflections on Wine

26
Aug
09

Il Clandestino: Paradise Found in Portonovo

Just down the beach from Da Giachetti, is the phenomenal Il Cladenstino Susci Bar. While sushi is nothing new in Italy, susci was invented by Moreno Cendroni at La Madonnina del Pescatore, the two Michelin starred restaurant that he opened with his wife Mariella in 1984. Known to don a hachimaki (Japanese head band) instead of a traditional toque, Moreno Cedroni is considered one of the most innovative and talented young chef’s in Italy today. The Ancona native, who has studied with Ferran Adrià at El Bulli, is known for his signature style that exalts local seafood and produce by masterfully employing traditional techniques with innovative twists. In spite of its playful origin (based on the phonetic spelling in Italian), the name susci expresses Cedroni’s profound commitment to the ancient craft of sushi as well as the very best seafood and flavors that the region has to offer.

This land and this sea are in my DNA. I always carry them with me, like a sort of identity card of the spirit. -Moreno Cedroni

Instead of soy, wasabi and seaweed, he uses olive oil, balsamic vinegar, herbs, tomatoes, carnaroli rice and even burrata. On our last visit to Il Clandestino, we marveled at the unexpectedly delectable combination of caviar and burrata served on a mackerel topped pizzetta. Two of our favorite dishes are hallmarks of this restaurant that could easily be mistaken for a typical seaside snack shack: capesante con lime e caviale (raw scallops with lime and caviar) and il gioco del tonna (tuna served four ways: raw, cured, marinated in a “porchetta” vinaigrette containing wild fennel, rosemary and garlic, and braised and topped with a tuna sauce). The magnificent menu is complemented by a fantastic wine list that includes wines from many producers that we count as friends including Josko Gravner, Costantino Charrère, Aleš Kristančič, Nicolas Joly, and Angela Velenosi. In short, dining on Moreno Cedroni’s imaginative and inspiring cuisine in the relaxed and airy Il Clandestino simply idyllic.

IL CLANDESTINO| Località Baia di Portonovo, Ancona | +39.071.801422

20
Jul
09

Gianfranco Soldera: “From difficult vintages, the best satisfaction…”

Gianfranco Soldera has risen to the status of a legend, both for his exquisite Brunello and his strong opinions. A strict traditionalist and firm believer in the importance of terroir, Soldera has turned Casse Basse di Gianfranco Soldera into a haven where landscape, vineyards, cellar, and his wife Graziella’s magnificent rose garden are magnificently integrated.

The wine goes from the land to the glass without too much interference. It is the grapes that tell you when they’re ready, whereas the wine tells you when it wants to be bottled. Striving for quality: that’s the point. -Gianfranco Soldera

Soldera ferments his wines in open-topped, 150-hectoliter wood vats, using indigenous yeasts and no temperature control. The natural fermentation lasts more than 30 days, and pump-overs are done manually. The wines are aged in large barrels significantly longer the required two years- in his words “whatever the wine needs.” Since its inception, Case Basse di Gianfranco Soldera has proudly worked with leading research institutions and allowed them access to their natural laboratory of vines, cellar, and ecosystem, underscoring Soldera’s commitment to elevating the territory of Montalcino and the craft of winemaking.

His 6650 bottles of 2002 Brunello di Montalcino, the current vintage, are a testament to the fact that fantastic wine can be obtained in the most challenging vintages. During its 65 months of maturation in large oaks barrel, everyone who tasted it was struck by its excellence.

In the words of our good friend Sergio Esposito, owner of Italian Wine Merchants: “it’s not just a good Brunello for a bad year- it’s a great Brunello… Soldera has never made a poor wine in his life, [and may be] the best winemaker in all of Italy, if not in all the world.”

Having been described a possessing paternal instinct regarding his wine, Gianfranco Soldera opts some years against bottling all of his wines as Brunello. This is what happened when he made the celebrated 1979 Rosso- one of the most revered and coveted Italian wines. Similarly in 2005, Soldera made Pegasos when the wine from one of his barrels showed an early readiness for bottling, following natural fermentation via native yeasts and 32 months maturation in large oak barrels. The label, designed by Piero Leddi, depicts the mythical winged horse of the same name. Many have compared the Pegasos 2005 to the 1979 Rosso including the Soldera family: they believe that Pegasos, which benefits from 33 years older and lower yield vines as well as nine added months in the barrel is the superior of the two.

Vletter en den Haan, the renowned Lilly breeder, was so impressed the wines that in 1998 they chose to name a variety of the flower Soldera to evoke its exceptional character and quality.

16
Jul
09

Which came first-the chicken or the coccodé? Ask Oscar Farinetti…

The vibrant Oscar Farinetti is the author of his own what seems to be never-ending success story. Dynamic, optimistic, and energetic, Farinetti, has had an interesting career evolution from selling flour, to creating one of the largest Italian electrical appliance retail chain stores, to founding a luxury supermarket (for manly more aptly called a utopia), to last but not least following his passion into the winemaking business. Farinetti’s success started with the creation of Uni-Euro Spa, a retail chain store for home appliances and consumer electronics. He sold the company in 2001 to DSG International. In 2007, Farinetti opened Eataly, a large, luxury supermarket in Turin focused on offering only the highest quality food and beverage products to “everyone”. Eataly, located in an old Vermouth factory, is not simply a supermarket, the store offers educational courses, has several restaurants and bars onsite, and boasts Slow Food as an active partner. (The non-profit organization guarantees the quality of the products on offer is always as high as promised and that Eataly producers never cut corners to meet growing demand.)

“Italian cuisine,” Mr. Farinetti said, “is not only one of the best in the world, it’s also one of the most exportable. With Eataly, my intention was to create a universal format that would work equally well in Afghanistan or Peking or New York or Milan. So far, there is only one such enterprise: it’s called Ikea and its furniture is identical throughout the entire world. With Italian food it should be even easier. I believe what we did in Torino could be transplanted anywhere and work just as well.”

In the summer of 2010, Farinetti will debut Eataly in Manhattan; presenting a venue where “all citizens” will be encouraged to enjoy the Italian lifestyle, whether browsing the elegantly stocked isles, purchasing quality Italian products and freshly grown local produce, or enjoying a meal at one of the two restaurants within the store and on the rooftop garden, or learning more about the secrets of Italian flavors and cooking from visiting experts. Milan, Bologna, and Tokyo have all already embraced the Eataly experience.

Strong marketing and communication built the foundation for Eataly’s success and Farinetti has authored a book entitled Coccodé: Il marketing-pensiero di Oscar Farinetti (Coccodé: Oscar Farinetti’s Marketing-Thoughts), to retell the story of the first two years. Coccodé is literally the Italian word for expressing the sound that a chicken makes. So why this word?

Farinetti explains, “When a chicken lays an egg it cries: Coccodé. A chicken is better than a turkey; a turkey lays an egg and is silent, it doesn’t promote itself. The farmer’s from the Langhe region know this, and they prefer chickens. A chicken produces and then sings. In a way it is as if the chicken is engaging in an excellent marketing of itself.” The book depicts a collection of approximately 140 Eataly advertisements, published in newspapers and magazines, and some company signage. Farinetti comments each advertisement describing to the reader the objectives, values, goals, and challenges that led to the creation of the particular advertisement; highlighting the company’s belief that “advertising is not about promises, rather it is talking, telling the people what it is that we do, using simple and direct language, trying to convey irony and lightness”. The book conveys a strong message- a philosophy rather than a simple marketing campaign- underlining the values that characterize Farinetti and his company: passion, distinction, simplicity, and quality.

Farinetti’s passion for wine has prompted him to partner in esteemed wineries such as in Giacomo Borgogno e Figli and Fontanafredda in his home region of Piedmont as well as Serafini & Vidotto in Veneto. By providing artisanal food and exceptional wine at accesible prices, Oscar Farinetti has succeeded commercially and personally in honoring his commitment to helping people from around to world to eat, drink, and consequently live better while espousing his cherished Italian lifestyle.

14
Mar
08

Daniel Jarry (Vouvray)

Winemaker Daniel Jarry is a passionate collector of antique bottles. He stores them in his cave where nature maintains a nearly constant 85% humidity — perfect for aging his wines.
We recently paid a visit to winemaker Daniel Jarry (left) in Vouvray and had the immense pleasure of getting to taste some of his older wines with him.

His cave is built in a hillside, underneath the vineyards: you walk through the cellar, you are surrounded by old barriques and his amazing collection of antique bottles.

Perfect ripeness, Daniel told us, is the key to making long-lived wines that will retain their freshness as they age. He vinifies every parcel separately according to the fruit’s natural sugar levels.

Here are our notes from the tasting:

Moelleux Reserve 1989: an exceptional wine with aromas of quince, white flowers, and honey; velvety in the mouth with a lingering finish.
Moelleux Reserve 1996: an elegant, refined wine, with a good balance of freshness and sweetness and fruit and floral flavors.

Demi-Sec 1997: Hazelnut, spices and white flowers, a very focused wine with a persistent finish.

Demi-Sec 1996: a beautifully balanced, vibrant wine with pear and acacia aromas.

Demi-Sec 1995: Floral, fruity with some mineral notes, the attack is bright, then the wine reveals a lot of finesse

Sec 1985: this wine was simply unbelievably good, with distinct personality, a pure expression of the appellation; Jarry noted that this wine will continue to age well.

The only bitter note was that Daniel has now retired and he told us that 2007 was his last vintage.




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